1 00:00:30,390 --> 00:00:33,160 Good evening, ladies and gentlemen. 2 00:00:33,190 --> 00:00:37,200 I’m sure you antique addicts recognize this 3 00:00:37,230 --> 00:00:40,040 as an early American television set, 4 00:00:40,070 --> 00:00:42,400 the stereoscope. 5 00:00:42,440 --> 00:00:45,410 Naturally, this was long before the invention 6 00:00:45,440 --> 00:00:50,410 of flop over, linear distortion and the hard sell. 7 00:00:50,450 --> 00:00:53,280 There are some 19th century authorities 8 00:00:53,310 --> 00:00:58,990 who claim to know of instances of distortion and flop over. 9 00:00:59,020 --> 00:01:02,890 But these only occurred when the stereoscope was used 10 00:01:02,920 --> 00:01:05,690 in conjunction with hard cider. 11 00:01:05,730 --> 00:01:09,560 The stereoscope was followed by an improvement called 12 00:01:09,600 --> 00:01:14,500 Paid Stereoscope. You know it as the Penny Arcade. 13 00:01:14,540 --> 00:01:17,270 So much for the days when a man was satisfied 14 00:01:17,310 --> 00:01:20,740 with one spinning wheel and didn’t need four 15 00:01:20,780 --> 00:01:22,080 and a spare. 16 00:01:22,110 --> 00:01:24,980 Now let us turn to more modern times, 17 00:01:25,080 --> 00:01:29,920 but to ease the transition, this timeless admonition. 18 00:01:55,280 --> 00:01:57,680 [progressive jazz music playing] 19 00:02:13,060 --> 00:02:13,830 Hey! 20 00:02:17,070 --> 00:02:19,470 Hey, you in there! Pipe down! 21 00:02:19,500 --> 00:02:22,740 Hey, hey, hey... Something bugging you, lady? 22 00:02:22,770 --> 00:02:25,140 -Huh? -Where’s Miss Baker? 23 00:02:25,170 --> 00:02:27,740 Judy? She’s out. 24 00:02:29,140 --> 00:02:31,210 -You a friend of hers? -Yeah. 25 00:02:31,250 --> 00:02:33,920 Like we’re studying music together, you dig? 26 00:02:33,950 --> 00:02:37,650 Music? Well, I don’t want that racket around here. 27 00:02:37,690 --> 00:02:38,790 Solid, lady. 28 00:02:42,120 --> 00:02:44,190 You sure she’s out? 29 00:02:44,230 --> 00:02:46,460 You take my word for it, lady. 30 00:02:46,490 --> 00:02:48,930 That chick is way, way out. 31 00:02:48,960 --> 00:02:50,670 -[scoffs] -[giggling] 32 00:02:50,700 --> 00:02:52,800 Well, I hope she’s looking for a job. 33 00:02:52,830 --> 00:02:55,240 I’m giving her till Saturday to pay up the back rent 34 00:02:55,270 --> 00:02:56,640 she owes me. 35 00:02:56,670 --> 00:02:58,440 -I’ll clue her in. -Hmm. 36 00:02:58,470 --> 00:03:00,880 And remember, no more noise. 37 00:03:00,910 --> 00:03:02,410 I dig, lady. 38 00:03:04,080 --> 00:03:05,880 [man] Hey, Hagsville. 39 00:03:05,910 --> 00:03:08,920 It’ll be quiet as Mouseville. 40 00:03:08,950 --> 00:03:10,190 [sighs] 41 00:03:10,220 --> 00:03:11,250 Crazy. 42 00:03:15,390 --> 00:03:17,530 Hey, honey. 43 00:03:17,560 --> 00:03:19,330 Honey, you can fall out now. 44 00:03:22,400 --> 00:03:24,230 -She gone? -Gone? 45 00:03:24,270 --> 00:03:25,530 [grumbling] 46 00:03:25,570 --> 00:03:27,470 That old hag is nowhere. 47 00:03:27,500 --> 00:03:31,270 Ah, don’t make funnies. 48 00:03:31,310 --> 00:03:33,210 You heard what she said about the rent. 49 00:03:33,240 --> 00:03:35,840 Hey, that’s Saturday. Something will break by then. 50 00:03:35,880 --> 00:03:38,380 Yeah, it’s gonna be me if I don’t get some food. 51 00:03:38,410 --> 00:03:40,550 [groaning] Food. 52 00:03:40,580 --> 00:03:42,450 I’ll take a look in the refrigerator. 53 00:03:53,560 --> 00:03:55,230 Ah, Milksville. 54 00:03:57,670 --> 00:03:59,530 [groans] 55 00:03:59,570 --> 00:04:02,300 -[sighs] -Hmm, and it’s empty. 56 00:04:02,340 --> 00:04:04,370 Oh, that’s a drag. 57 00:04:04,410 --> 00:04:05,740 Yeah. 58 00:04:08,710 --> 00:04:11,280 Haven’t we got anything else? 59 00:04:11,310 --> 00:04:13,310 Yeah. 60 00:04:13,350 --> 00:04:15,550 Here. Have some peanuts. 61 00:04:15,580 --> 00:04:17,150 Peanuts? 62 00:04:19,520 --> 00:04:22,460 What do you think I am? A pigeon? 63 00:04:22,490 --> 00:04:23,530 A pigeon? 64 00:04:23,560 --> 00:04:24,960 [chuckling] 65 00:04:25,060 --> 00:04:27,800 Oh, no, baby. You’re not a pigeon. 66 00:04:27,830 --> 00:04:29,730 -You’re a chick, huh? -Hm. 67 00:04:29,760 --> 00:04:32,430 -My chick, huh, baby? -Mitch, I’m hungry. 68 00:04:32,470 --> 00:04:35,500 So am I, baby, whenever I’m around you. 69 00:04:35,540 --> 00:04:37,840 -I mean it. -Ah. 70 00:04:39,840 --> 00:04:42,080 OK. 71 00:04:42,080 --> 00:04:44,180 Go put your face on and we’ll scarf. 72 00:04:44,210 --> 00:04:46,350 -Scarf? -Eat? 73 00:04:46,380 --> 00:04:49,720 Hey, you haven’t been studying your lessons. 74 00:04:49,750 --> 00:04:51,790 Now, how do you expect to make the scene with the natives 75 00:04:51,820 --> 00:04:53,460 if you don’t know the language, huh? 76 00:04:53,490 --> 00:04:56,090 And how do you expect to eat if you don’t have any money? 77 00:04:56,090 --> 00:04:58,630 Ah... true. 78 00:04:58,660 --> 00:05:00,100 But I forgot to clue you in. 79 00:05:02,160 --> 00:05:04,100 Bruce is having a bash down at his pad. 80 00:05:04,130 --> 00:05:06,530 Plenty of food and plenty of action, dig? 81 00:05:06,570 --> 00:05:08,170 Oh, baby, do I dig, 82 00:05:08,200 --> 00:05:09,770 -dig. -So put your teeth in, mother. 83 00:05:09,800 --> 00:05:10,710 Tonight we eat. 84 00:05:10,740 --> 00:05:12,410 Mm. 85 00:05:15,880 --> 00:05:17,610 [strums guitar] 86 00:05:21,950 --> 00:05:22,850 [slaps guitar] 87 00:05:26,250 --> 00:05:29,490 I call this one... Diagnosis. 88 00:05:35,460 --> 00:05:40,240 "You say your name is Society, and you think you’re sick? 89 00:05:40,270 --> 00:05:43,540 Sit down, patient. And I’ll examine you." 90 00:05:43,570 --> 00:05:45,810 -[strums chord] -Uh-huh. 91 00:05:45,840 --> 00:05:49,180 "Just what I thought. That complexion of yours. 92 00:05:49,210 --> 00:05:51,980 Grey as a flophouse bed sheet. 93 00:05:52,080 --> 00:05:55,250 Your breath, reeking of smog and sewer-gas. 94 00:05:57,320 --> 00:06:01,460 Headaches? What do you expect with nothing but cash-registers 95 00:06:01,490 --> 00:06:03,790 clanging inside your empty skull?" 96 00:06:08,530 --> 00:06:10,730 "Of course your stomach hurts. 97 00:06:10,770 --> 00:06:13,670 You’ve swallowed too many dreams, too many hopes, 98 00:06:13,700 --> 00:06:17,040 and turned them into one gigantic ulcer." 99 00:06:17,040 --> 00:06:19,770 -[strums chord] -"Look out. 100 00:06:19,810 --> 00:06:22,180 You’re hands are trembling. 101 00:06:22,210 --> 00:06:25,250 Any minute now, and you may drop a bomb. 102 00:06:27,350 --> 00:06:32,420 I’ve got news for you, Society. You’re not sick, you’re dead. 103 00:06:32,450 --> 00:06:35,720 And I’m going to bury you, and dance the Twist 104 00:06:35,760 --> 00:06:37,390 on your grave." 105 00:06:46,500 --> 00:06:48,140 Yeah, solid, baby. 106 00:06:51,510 --> 00:06:53,880 You hungry, man? 107 00:06:53,910 --> 00:06:55,640 Take me to your feeder. 108 00:06:57,310 --> 00:06:59,280 -[groaning] -[jazz music playing] 109 00:07:05,690 --> 00:07:07,490 Oh, man. Is this all you have? 110 00:07:07,520 --> 00:07:10,290 Relax. We have a catering service. 111 00:07:10,330 --> 00:07:12,360 -Looks like it’s arrived. -[door closes] 112 00:07:12,390 --> 00:07:13,830 [Mitch] Hey, Kong. 113 00:07:13,860 --> 00:07:15,430 -How are you, babe? -Here we are. 114 00:07:15,460 --> 00:07:16,400 -Juice. -Hey, man, 115 00:07:16,430 --> 00:07:17,730 is that all you bought? 116 00:07:17,770 --> 00:07:19,600 Yeah, but that’s not all I got. 117 00:07:19,630 --> 00:07:21,740 -Help yourself. -[Judy] Foodsville. 118 00:07:21,770 --> 00:07:23,270 And look at this, Cole-slaw. 119 00:07:23,300 --> 00:07:24,610 -Hmm. -Hey. Pickles. 120 00:07:24,640 --> 00:07:26,440 -[Judy] Pickles. -[Bruce] Pickles. 121 00:07:26,470 --> 00:07:28,740 More pickles. Oh, hey, man. You forgot the mustard. 122 00:07:28,780 --> 00:07:31,350 -Inside. -[Bruce] Oh, yeah. 123 00:07:31,380 --> 00:07:33,750 Hey, look at this... Breadsville. 124 00:07:33,780 --> 00:07:35,450 -[Mitch] Ah. -Now, Meatsville. 125 00:07:35,480 --> 00:07:37,190 -Where is it? -Back here. 126 00:07:37,220 --> 00:07:38,650 -[Mitch] Solid. -[Bruce] Crazy. 127 00:07:38,690 --> 00:07:40,620 Hey, man. Help me open up some of this jazz, huh? 128 00:07:40,660 --> 00:07:42,260 -Ah... -Hey, I’ll do it. 129 00:07:42,290 --> 00:07:43,960 -I’ll do it. -OK, out. 130 00:07:44,060 --> 00:07:45,430 Give the chick room to fly. 131 00:08:00,710 --> 00:08:03,080 Uh-uh-uh-uh-uh... 132 00:08:03,110 --> 00:08:05,350 So it’s not a federal case. I’m starving. 133 00:08:06,580 --> 00:08:09,220 Hey, for later. 134 00:08:09,250 --> 00:08:11,850 Oh, honey, that’s what I call a good provider. 135 00:08:13,290 --> 00:08:14,720 So what do you want? Squaresville? 136 00:08:16,290 --> 00:08:18,360 The study-and-work-hard pitch. 137 00:08:18,390 --> 00:08:21,630 Married, settle down, buy on easy terms. 138 00:08:21,660 --> 00:08:23,130 Yeah. 139 00:08:23,160 --> 00:08:25,870 And end up at 50, doing the coronary bit. 140 00:08:25,900 --> 00:08:27,200 Not me, baby. 141 00:08:27,240 --> 00:08:31,040 -All right, I get the message. -[Mitch] Solid. 142 00:08:31,040 --> 00:08:33,580 But a girl has to think about things. 143 00:08:33,610 --> 00:08:36,580 I don’t have any money. You don’t have a job. 144 00:08:36,610 --> 00:08:38,410 Hey, baby. You want some loot? 145 00:08:41,250 --> 00:08:43,690 Find yourself a live one, huh. 146 00:08:43,720 --> 00:08:45,120 Yeah, like, uh, 147 00:08:45,150 --> 00:08:48,120 some fat old character with a wife and six kids? 148 00:08:48,160 --> 00:08:50,060 Who needs it? 149 00:08:50,060 --> 00:08:53,060 -Hey, come here. -What for? 150 00:08:53,060 --> 00:08:54,500 You’ll see. Come here. 151 00:09:00,900 --> 00:09:03,000 Hey, man. You just get here? 152 00:09:03,000 --> 00:09:04,110 Yeah, that’s right. 153 00:09:04,140 --> 00:09:05,840 Hey, Kenny. Do you know this chick? 154 00:09:05,870 --> 00:09:07,380 I don’t believe I’ve had the pleasure. 155 00:09:07,410 --> 00:09:09,680 -I’m Kenneth Redmon. -Judy Baker. 156 00:09:09,710 --> 00:09:13,050 Uh, Kenny here’s an Assistant Prof. over at Thinksville. 157 00:09:13,080 --> 00:09:15,650 Oh, the university. 158 00:09:15,680 --> 00:09:17,750 -Oh, do you attend? -No, man. 159 00:09:17,790 --> 00:09:20,490 We have our own study course. Majoring in kicks. 160 00:09:22,920 --> 00:09:25,160 Hey, is this my favorite perfume? 161 00:09:25,190 --> 00:09:26,860 Yeah, and there’s more down in the car. 162 00:09:26,900 --> 00:09:28,460 Solid. 163 00:09:28,500 --> 00:09:30,800 Uh, hey, honey. Would you open the sauce? 164 00:09:30,830 --> 00:09:32,070 Hmm? 165 00:09:41,180 --> 00:09:42,680 So what’s happening? 166 00:09:42,710 --> 00:09:44,050 Oh, not much. 167 00:09:46,210 --> 00:09:49,050 That’s cool, huh. I’ll pick up on you later. Huh, baby? 168 00:09:49,050 --> 00:09:50,190 Yeah. 169 00:09:52,790 --> 00:09:55,360 [clink] 170 00:09:55,390 --> 00:09:57,060 Who’s that creep? 171 00:09:57,060 --> 00:09:59,190 He’s what we call a society type. 172 00:09:59,230 --> 00:10:00,830 Square as a box, but loaded. 173 00:10:02,360 --> 00:10:04,470 Drives one of those big, long heaps. 174 00:10:06,030 --> 00:10:08,000 What’s he doing here? 175 00:10:08,040 --> 00:10:09,800 He likes to make the scene. 176 00:10:09,840 --> 00:10:12,210 You know, too scared for fun and games, 177 00:10:12,240 --> 00:10:14,940 but dying to play. 178 00:10:14,980 --> 00:10:16,310 So, we let him hang around. 179 00:10:19,950 --> 00:10:21,020 He pays his dues. 180 00:10:24,650 --> 00:10:26,450 A loner, huh? 181 00:10:26,490 --> 00:10:28,420 Yeah. 182 00:10:28,460 --> 00:10:30,530 But he’s got eyes for you. 183 00:10:30,560 --> 00:10:32,560 Yeah? 184 00:10:32,590 --> 00:10:34,200 Why don’t you give him a little time, baby? 185 00:10:35,860 --> 00:10:38,070 Oh, man. Be serious. 186 00:10:38,100 --> 00:10:39,530 Like I am serious. 187 00:10:40,940 --> 00:10:43,100 [pouring wine] Look, uh... 188 00:10:43,140 --> 00:10:45,110 you’re kind of like the hostess here, you dig? 189 00:10:46,540 --> 00:10:47,480 So... 190 00:10:48,810 --> 00:10:51,410 do me a favor, huh? 191 00:10:51,450 --> 00:10:53,150 Be nice to poor old Kenny. 192 00:10:55,750 --> 00:10:58,190 That’s my baby-doll. 193 00:10:58,220 --> 00:11:00,460 Be nice? 194 00:11:00,490 --> 00:11:02,190 Yeah, nice. 195 00:11:52,410 --> 00:11:54,940 Some party last night, huh? 196 00:11:54,980 --> 00:11:57,010 Boy, you sure came on strong with old Kenny. 197 00:11:57,110 --> 00:11:59,650 [laughing] 198 00:11:59,680 --> 00:12:02,650 Yeah, he popped for three bottles. 199 00:12:02,680 --> 00:12:07,120 -Wild, baby. Really wild. -Yeah, wild. 200 00:12:07,160 --> 00:12:09,260 Hey. 201 00:12:09,290 --> 00:12:11,930 Hey, pretty. 202 00:12:11,960 --> 00:12:14,330 Something hacking you, huh? 203 00:12:14,360 --> 00:12:17,800 -Yeah, he asked me for a date. -Kenny? 204 00:12:17,830 --> 00:12:19,470 Yeah. 205 00:12:19,500 --> 00:12:20,700 That’s nice. 206 00:12:22,400 --> 00:12:24,340 No, man. You don’t dig. He’s gonna be calling me, 207 00:12:24,370 --> 00:12:26,310 and I gotta tell him something. 208 00:12:26,340 --> 00:12:28,840 So go out with him. 209 00:12:28,880 --> 00:12:32,610 Look, honey. Why should I give you the jealousy bit? 210 00:12:32,650 --> 00:12:33,850 Right now, a square like Kenny 211 00:12:33,880 --> 00:12:36,280 can do us both a lot of good. 212 00:12:36,320 --> 00:12:38,450 And you don’t even have to worry. 213 00:12:38,490 --> 00:12:40,760 He’s too scared to make a pass. 214 00:12:40,790 --> 00:12:43,560 You just play it cool, and he’ll come through. 215 00:12:43,590 --> 00:12:45,590 Come through? 216 00:12:45,630 --> 00:12:48,430 -Oh, baby. -Look. 217 00:12:48,460 --> 00:12:50,130 The rent’s due Saturday. Right? 218 00:12:50,170 --> 00:12:51,900 Yeah, right. And if you think 219 00:12:51,930 --> 00:12:53,100 that I’m going out with him, you-- 220 00:12:53,100 --> 00:12:55,300 So you’re doing him a favor. 221 00:12:55,340 --> 00:12:57,940 He wants your company, let him pay for it. 222 00:13:00,210 --> 00:13:01,910 Baby. 223 00:13:01,940 --> 00:13:04,680 Squares like Kenny wanna be taken. 224 00:13:04,710 --> 00:13:06,050 That’s how he gets his kicks. 225 00:13:10,050 --> 00:13:11,450 Don’t you forget. 226 00:13:13,090 --> 00:13:15,860 We got something this guy’ll never know. 227 00:13:15,890 --> 00:13:17,890 The big kick. 228 00:13:17,930 --> 00:13:19,790 The big kick. Huh, baby? 229 00:13:31,110 --> 00:13:33,880 And you just handle this bit like I say, 230 00:13:33,910 --> 00:13:35,480 and we’ll have it made. 231 00:13:37,510 --> 00:13:39,150 When your Kenny calls, 232 00:13:39,180 --> 00:13:41,250 you’ll be real sweet to him, huh, baby? 233 00:13:45,150 --> 00:13:46,490 [giggling] 234 00:13:46,520 --> 00:13:48,960 Solid. 235 00:13:48,990 --> 00:13:50,090 Solid, baby. 236 00:14:09,310 --> 00:14:10,950 To you. 237 00:14:11,050 --> 00:14:13,150 Hmm, thanks. 238 00:14:17,250 --> 00:14:20,920 -Enjoying your dinner? -Yeah. 239 00:14:20,960 --> 00:14:23,690 -How bout some more wine? -Oh, no, thanks. 240 00:14:23,730 --> 00:14:27,130 I’m not used to this stuff. Turns me on. 241 00:14:27,160 --> 00:14:29,630 I’m not used to such charming and intoxicating company. 242 00:14:31,400 --> 00:14:34,340 Well, I can see you don’t know me very well. 243 00:14:34,370 --> 00:14:36,200 I think I do. 244 00:14:36,240 --> 00:14:37,810 You’re a pretty girl, Judy. 245 00:14:37,840 --> 00:14:40,710 I’m sure you’ve been told that all your life. 246 00:14:40,740 --> 00:14:42,580 So I really can’t blame you for taking advantage of it. 247 00:14:44,080 --> 00:14:47,650 Besides, it was Mitch’s idea, wasn’t it? 248 00:14:47,680 --> 00:14:48,950 Mitch? 249 00:14:48,980 --> 00:14:51,450 Those sad stories you told me on all our dates 250 00:14:51,490 --> 00:14:55,560 about the rent and the back payments on the car. 251 00:14:55,590 --> 00:14:58,130 Mitch suggested what to say, didn’t he? 252 00:14:58,160 --> 00:15:00,730 Oh, Kenny, I... 253 00:15:00,760 --> 00:15:02,300 But don’t you think I know? 254 00:15:04,800 --> 00:15:06,500 The only reason Mitch and his friends tolerate me 255 00:15:06,530 --> 00:15:09,600 is because I-- I pick up their tabs, buy the liquor. 256 00:15:12,370 --> 00:15:15,210 Well, if you know, then why do you do such things? 257 00:15:18,150 --> 00:15:20,420 I guess you could call it an admission fee. 258 00:15:20,450 --> 00:15:21,750 Maybe I enjoy watching the show. 259 00:15:23,520 --> 00:15:26,920 Don’t you see? 30 years ago, people like Mitch, 260 00:15:26,960 --> 00:15:29,160 they called themselves the Lost Generation. 261 00:15:29,190 --> 00:15:31,590 Twenty years ago, they pretended to be Communists. 262 00:15:31,630 --> 00:15:33,190 Lately, they talk of existentialism. 263 00:15:34,930 --> 00:15:37,530 But people like Mitch, they’ll always look for excuses. 264 00:15:37,570 --> 00:15:39,930 Their beat philosophy, silly catchphrases, 265 00:15:39,970 --> 00:15:41,800 they just dramatize irresponsibility. 266 00:15:45,070 --> 00:15:48,080 I-- I guess I’m making a speech, huh? 267 00:15:48,080 --> 00:15:52,710 Yeah, and I don’t agree. We aren’t bums. 268 00:15:52,750 --> 00:15:54,520 Mitch is a musician, Bruce is an artist, 269 00:15:54,550 --> 00:15:55,920 and Monk writes poetry. 270 00:15:57,290 --> 00:15:58,450 Judy, grow up. 271 00:15:58,490 --> 00:15:59,750 You’re too smart a girl to fall 272 00:15:59,790 --> 00:16:01,120 for something like this. 273 00:16:01,160 --> 00:16:03,830 Don’t you see that blowing an instrument off-key, 274 00:16:03,860 --> 00:16:05,590 splashing blobs of paint on a canvas, 275 00:16:05,630 --> 00:16:09,200 that doesn’t justify free-loading as a way of life. 276 00:16:09,230 --> 00:16:12,030 Yeah, well, uh... 277 00:16:12,030 --> 00:16:13,200 Will you just skip the sermon? 278 00:16:13,230 --> 00:16:16,040 ’Cause I know what I’m doing. 279 00:16:16,040 --> 00:16:17,410 All right. 280 00:16:19,410 --> 00:16:20,910 Maybe someday you’ll understand. 281 00:16:22,710 --> 00:16:24,510 You see, 282 00:16:24,550 --> 00:16:26,880 the difference between Mitch and myself is 283 00:16:26,920 --> 00:16:28,280 that I know what I want. 284 00:16:29,780 --> 00:16:31,720 I’m mature enough to wait until I get it. 285 00:16:33,090 --> 00:16:34,390 [chuckling] 286 00:16:34,420 --> 00:16:37,590 Well, you’re gonna wait a long, long time. 287 00:16:37,630 --> 00:16:39,260 I think I’d like to leave now. 288 00:16:50,510 --> 00:16:52,540 I really goofed, didn’t I? 289 00:16:52,570 --> 00:16:55,440 Don’t worry. He’ll be back. 290 00:16:55,480 --> 00:16:59,680 I told you, I dig the type. A real sicknik. 291 00:16:59,710 --> 00:17:01,080 What he needs is a couple of sessions with 292 00:17:01,120 --> 00:17:04,250 a good spider-chaser to straighten him out. 293 00:17:04,290 --> 00:17:06,390 Two to one he calls you for another date before noon. 294 00:17:07,760 --> 00:17:10,590 You know, you might be right. 295 00:17:10,630 --> 00:17:12,490 But I’m not going out with him. 296 00:17:12,530 --> 00:17:14,360 Sure, you will. 297 00:17:14,400 --> 00:17:15,460 We’re gonna need some loot 298 00:17:15,500 --> 00:17:17,600 when we split to the Coast next week. 299 00:17:17,630 --> 00:17:19,270 -Huh? -The Coast? 300 00:17:19,300 --> 00:17:20,800 Yeah. 301 00:17:20,840 --> 00:17:23,040 A cat I know out in San Francisco, 302 00:17:23,070 --> 00:17:25,270 he’ll give me a gig with his combo. 303 00:17:25,310 --> 00:17:27,480 Baby, we’re really have ourselves a ball out there. 304 00:17:27,510 --> 00:17:29,440 Oh, baby. Are we? 305 00:17:32,080 --> 00:17:34,380 All we gotta do is get old Kenny to pay the freight. 306 00:17:36,180 --> 00:17:38,390 Old Kenny? 307 00:17:38,420 --> 00:17:41,060 Oh, man, you can’t-- you can’t ask him for money 308 00:17:41,060 --> 00:17:43,630 -to pay our fare. -Of course not, baby. 309 00:17:43,660 --> 00:17:45,390 You don’t ask him to lay on any loot. 310 00:17:45,430 --> 00:17:46,800 You just pitch him a straight story 311 00:17:46,830 --> 00:17:48,600 about you and me going away together. 312 00:17:50,100 --> 00:17:51,400 How’s that gonna help? 313 00:17:51,430 --> 00:17:53,840 Believe me, I know the type. 314 00:17:53,870 --> 00:17:56,640 The more you lean on him, the more he loves it. 315 00:17:56,670 --> 00:17:58,670 He’ll pop with a real fancy going-away present. 316 00:18:01,040 --> 00:18:02,840 You think that’d be right? 317 00:18:02,880 --> 00:18:04,480 Come on, baby. 318 00:18:04,510 --> 00:18:07,480 Right, wrong, all that jazz. 319 00:18:07,520 --> 00:18:08,850 It’s nowhere. 320 00:18:08,880 --> 00:18:11,020 It’s just kicks. 321 00:18:11,020 --> 00:18:14,020 Now, you wanna make the scene on the Coast with me, huh? 322 00:18:14,020 --> 00:18:15,490 You know I do. 323 00:18:15,520 --> 00:18:16,730 -[Mitch] Oh, baby. -[knocking on the door] 324 00:18:16,760 --> 00:18:18,060 [woman] Telephone for you. 325 00:18:18,090 --> 00:18:19,630 [Judy moans] 326 00:18:21,660 --> 00:18:23,330 -Play it cool, huh. -OK. 327 00:18:25,230 --> 00:18:26,500 [door opens] 328 00:18:31,510 --> 00:18:32,610 Oh, man. 329 00:18:32,640 --> 00:18:33,910 [Judy] Hello? 330 00:18:35,810 --> 00:18:37,150 Hi, ya Kenny. 331 00:18:45,690 --> 00:18:48,060 Old Kenny really came through, didn’t he? 332 00:18:48,090 --> 00:18:50,730 I can hardly believe it’s real. 333 00:18:50,760 --> 00:18:52,530 It’s real, all right. 334 00:18:52,560 --> 00:18:54,230 From Orfitt’s? 335 00:18:54,260 --> 00:18:57,870 They don’t come out with any phony ice, not that joint. 336 00:18:57,900 --> 00:19:00,770 I’ll bet it’s worth five, maybe even ten grand. 337 00:19:00,800 --> 00:19:04,010 -How do you know? -I don’t. 338 00:19:04,010 --> 00:19:06,170 But we’ll find out in the morning. 339 00:19:06,210 --> 00:19:08,440 I’ll fall up to Orfitt’s. 340 00:19:08,480 --> 00:19:11,080 They won’t go for any jazz about returning it. 341 00:19:11,110 --> 00:19:12,550 But maybe they’ll come up with the right numbers 342 00:19:12,580 --> 00:19:14,920 on what it cost. 343 00:19:15,020 --> 00:19:18,250 Then I’ll fall uptown and hock it. You dig? 344 00:19:18,290 --> 00:19:21,260 Hmm. I dig it, Mitch. It’s so lovely. 345 00:19:21,290 --> 00:19:25,590 [chuckles] OK. You keep the bracelet. 346 00:19:25,630 --> 00:19:28,930 And Kenny. Me? 347 00:19:29,030 --> 00:19:31,130 Me, I’m off to the Coast for some kicks. 348 00:19:32,930 --> 00:19:35,670 No, Mitch. Take me with you. 349 00:19:53,720 --> 00:19:54,960 Any time, baby. 350 00:20:01,400 --> 00:20:02,660 Thank you. 351 00:20:04,070 --> 00:20:05,630 Yes, sir. May I help you? 352 00:20:05,670 --> 00:20:07,340 Yes, I... wonder if you could appraise 353 00:20:07,370 --> 00:20:08,870 -something for me. -Certainly. 354 00:20:19,550 --> 00:20:21,450 Well, what do you think? 355 00:20:21,480 --> 00:20:22,980 Looks pretty good, doesn’t it? 356 00:20:23,020 --> 00:20:25,090 I mean, all those diamonds. 357 00:20:25,120 --> 00:20:27,160 I recognize this piece. George. 358 00:20:27,190 --> 00:20:30,760 Come on. Come on, man. Cool it. This is a mistake. 359 00:20:56,620 --> 00:20:58,020 Here. 360 00:20:59,620 --> 00:21:01,060 Let me help you. 361 00:21:10,130 --> 00:21:13,070 You don’t seem very surprised to see me. 362 00:21:13,100 --> 00:21:16,070 You think you’re pretty smart, don’t you? 363 00:21:16,070 --> 00:21:18,670 Take it you figured out my little joke. 364 00:21:18,710 --> 00:21:21,080 Oh, a joke? 365 00:21:21,110 --> 00:21:25,110 You, uh-- you were the one who stole the bracelet. 366 00:21:25,150 --> 00:21:27,720 And you knew Mitch would take it back and they’d recognize it. 367 00:21:29,080 --> 00:21:31,690 Congratulations. At least you’re wiser than Mitch. 368 00:21:31,720 --> 00:21:33,420 I imagine he’ll get several years in which 369 00:21:33,460 --> 00:21:36,690 to meditate upon his stupidity. 370 00:21:36,730 --> 00:21:39,290 But how do you know I won’t go to the cops and, uh, 371 00:21:39,330 --> 00:21:41,000 tell them the whole story? 372 00:21:42,830 --> 00:21:44,970 I doubt if they’ll believe you. 373 00:21:45,000 --> 00:21:47,100 Besides, the sort of friends you keep will hardly 374 00:21:47,100 --> 00:21:49,340 serve as character witnesses. 375 00:21:49,370 --> 00:21:52,340 That’s the trouble with you beat types. You lack roots. 376 00:21:52,370 --> 00:21:54,140 You come, you go. Nobody cares. 377 00:21:54,180 --> 00:21:55,980 You know, here today, gone tomorrow. 378 00:21:56,010 --> 00:21:58,810 Yeah. Would you just skip the sermon? 379 00:21:58,850 --> 00:22:01,350 Don’t you think I know why you planned all this? 380 00:22:03,050 --> 00:22:05,420 Uh... 381 00:22:05,450 --> 00:22:07,960 Yeah, well, if... 382 00:22:08,060 --> 00:22:09,690 I’m nice to you, 383 00:22:09,720 --> 00:22:11,230 you get Mitch off the hook. 384 00:22:13,530 --> 00:22:15,200 Please. I didn’t go to all this trouble to force you 385 00:22:15,230 --> 00:22:17,300 to be nice to me as you insist on putting it. 386 00:22:17,330 --> 00:22:19,370 I’m not interested in that sort of thing. 387 00:22:19,400 --> 00:22:21,370 Any more than I’m interested in the fate of a... 388 00:22:21,400 --> 00:22:23,070 stupid animal like Mitch. 389 00:22:25,210 --> 00:22:26,510 An animal? 390 00:22:28,940 --> 00:22:30,210 You know... 391 00:22:31,450 --> 00:22:33,780 You know what you are? 392 00:22:33,820 --> 00:22:36,820 You are a weak fool. 393 00:22:36,850 --> 00:22:38,190 What do you mean by that? 394 00:22:39,690 --> 00:22:41,490 You know what I mean. 395 00:22:42,890 --> 00:22:44,630 Mitch told me what you are. 396 00:22:45,930 --> 00:22:49,860 Like now, you’re afraid. 397 00:22:49,900 --> 00:22:51,530 You’re afraid to touch me, aren’t you? 398 00:22:53,940 --> 00:22:57,210 This, uh-- well, this isn’t how you get your kicks. 399 00:22:59,510 --> 00:23:00,910 But I am touching you. 400 00:23:03,040 --> 00:23:04,680 It’s true, I-- 401 00:23:04,710 --> 00:23:08,420 I don’t get my kicks like this, as Mitch would put it. 402 00:23:08,450 --> 00:23:11,050 But I do get kicks. 403 00:23:11,050 --> 00:23:13,120 Big kicks... 404 00:23:13,150 --> 00:23:15,360 my way. 405 00:23:15,390 --> 00:23:16,620 The biggest kick of all. 406 00:23:17,860 --> 00:23:19,090 [screaming] 407 00:23:20,430 --> 00:23:21,630 [body thuds] 408 00:23:33,070 --> 00:23:36,540 Yes, we all get our kicks in different ways. 409 00:23:36,580 --> 00:23:38,980 And Kenny learned that the district attorney 410 00:23:39,080 --> 00:23:40,620 was no exception. 411 00:23:40,650 --> 00:23:42,780 I shall continue my examination 412 00:23:42,820 --> 00:23:44,490 of Americana in a moment. 413 00:23:49,120 --> 00:23:52,530 The early Americans who used this butter churn, 414 00:23:52,560 --> 00:23:54,630 were indeed a hardy lot. 415 00:23:56,770 --> 00:23:59,100 Hmm. A recipe of some sort. 416 00:23:59,100 --> 00:24:03,300 "Serves 12, put in several scoops of ice. 417 00:24:03,340 --> 00:24:09,410 Add three cups of vermouth, and four gallons of gin." 418 00:24:09,440 --> 00:24:12,750 Yes, a hardy lot. That’s all for tonight. 419 00:24:12,780 --> 00:24:15,680 Quite enough in fact. We shall return next week 420 00:24:15,720 --> 00:24:19,050 with more of the same. Until then, goodnight.